The music is no longer about love, but tells stories about life in the slums: violence, troubles with the police, alcohol, drugs and sex. The new variation is called Cumbia Villera or Slum Cumbia and is a reaction to the romantic cumbia. Especially the inhabitants of the Villas – the Argentinean slums – are the driving forces behind this comeback of the traditional music. What started out with a few drinks and the throwing around of ideas finally lead to the founding of Kumbia Queers in summer 2007.Ī big Cumbia revival started out in Argentina in the 1990ies. While hanging out together in Buenos Aires one day their conversation shifted to Cumbia music. Together they are combining forces of the two most important female punk bands of their respective countries. Juana Chang (charango, vocals) and Flor Linyera (keyboard) complete the line up. Her partners-in-crime are Pila Zombie (guitar), Inesphektor (drums, percussion) and Pat Combat Rocker (bass) from the Argentinean band „She Devils“. Doors open at 10 and close at 3 a.m.Leadsinger Ali Gua Gua (guitar, vocals) has made a name for herself in the Mexican punk scene. For two hours, the musical jambalaya throbs at an unrelenting pace, shaking the joint so hard the portraits on the walls vibrate like tiny gongs. While Oscar G at Space might set you back a 20, cover here is just seven bucks, and a Presidente beer only five. He borrows a bass line from one song, a drum loop from another, a vocal sample from a third, and plays it over a rolling house beat while El Chino Dreadlion, former vocalist for cool-kid band Yerba Buena, sings and a drummer plays the timbales. The DJ doesn't so much spin club house as remix it live with traditional guaguanco and Afro-Cuban sounds. For the past year, he has hosted a dance party here called Tropicasa that would spook the regular clientele of viejitos in crisp white guayaberas if it weren't so damn funky. But on Wednesday nights, Oscar G, one of the headlining DJs at Park West bacchanal Space, enters the smoky inner sanctum. Its walls are lined with portraits of the icons of Cuba's musical heyday: Celia Cruz, Benny More, Arturo Sandoval. Hoy Como Ayer, the hole-in-the-wall cabaret on Calle Ocho, is the bedrock of this estate. Downtown is hipsterdom, Kendall owns Muzak, and South Beach is the land of house. In Miami's balkanized music world, every neighborhood has its sovereign genre. And though Saturday's Poplife party has moved on, we don't expect things to slow down here. As long as you're 21 and pay the cover charge (or somehow put your name on the guest list), you're in. The best thing about the Pickle is that you won't be judged based on your looks or gender. Let's not forget about the back lot, perfect for those cool Miami winters and habitual day parties. The downstairs area is perfect for the chill-out lounge experience, while the upstairs usually turns into an all-out dance riot. Alexander Technique, M.A.N.D.Y., dOP, Wolf + Lamb, Marques Wyatt, In Flagranti, Seth Troxler, Tony Rohr, Junior Sanchez, and others have given the lounge's Dynacord system a workout. Together they have made sure the Pickle takes its music - the dance variety in particular - very seriously. Later, when the name was revealed - Electric Pickle - it left us wondering if there was some kind of joke. When Tomas Ceddia (Aquabooty) and Will Renuart (Boogie) took over the former Circa 28 space, we knew house music would be a cornerstone of whatever they had planned for the venue.
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But the best thing about Mova is that it's located right in front of the Frieze, the 24-hour ice-cream shop where you can drown your sorrows in food if you haven't hooked up with anyone by the end of the night. And the fizz ($15) is the kind of libation that loosens things up. Served by strapping bartenders as pretty as the Jonas Brothers, these cocktails are deceptively light. Even the drinks are twinky: They're named things like "elderflower fizz," "treetini," and "açaí breeze." On Wednesday, college night, vodka cocktails are $3 all night long. The only leather you're likely to see here is on the upholstered love seats. It's classy, wholesome, and as beautifully lit as a Zac Efron musical. Mova stands apart from the decades-old haunts catering to crowds that still remember the decadent foam parties of the '90s. The place has slowed the exodus of young gays to Fort Lauderdale.
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If Mova were an ad in the men-for-men section of Craigslist, it would read, "Young, Sean Cody type casually seeking late night of carousing and heavy petting." At the lounge, just off Lincoln Road, the crowd that revolves around the oval-shaped bar skews young.